Director: Francesco Rosi
Release Year: 1963
Genre: Drama
Overview
Hands Over the City is a 1963 drama film directed by Francesco Rosi that exposes the intricate web of political corruption in post-World War II Italy. Widely recognized as a landmark in Italian cinema, the film combines elements of social realism and political critique to explore the intersection of greed, power, and morality in urban development. The film won the prestigious Golden Lion at the 1963 Venice Film Festival, cementing Rosi’s reputation as a master of politically charged filmmaking.
Plot Summary
The film centers on Edoardo Nottola (Rod Steiger), a ruthless Neapolitan land developer who also serves as a city councilman. Nottola manipulates his political connections to secure a lucrative suburban real estate project, prioritizing personal profit over public welfare. His schemes come under scrutiny when a residential building collapses, resulting in casualties and sparking outrage.
The tragedy prompts Communist councilman De Vita (Carlo Fermariello) to lead an official inquiry, uncovering evidence of negligence and corruption linked to Nottola’s dealings. The film then dives into the political machinations of the city council, where alliances shift, backroom deals are made, and the stakes rise as elections loom. As Nottola fights to preserve his power and evade accountability, the inquiry exposes the entrenched system of exploitation and the devastating consequences for Naples’ urban landscape and its residents.
Themes
Rosi uses the backdrop of postwar reconstruction to critique the systemic corruption that plagued Italy’s political and economic institutions. The film examines the human cost of unchecked ambition and greed, with the city of Naples itself serving as a powerful symbol of the moral and physical decay wrought by corrupt practices.
Reviews and Reception
Critics have lauded Hands Over the City for its incisive portrayal of political corruption and its bold, documentary-style approach to storytelling. Rod Steiger’s intense and magnetic performance as Nottola has been widely praised for bringing nuance to a character emblematic of systemic greed. The film’s sharp editing and dynamic camerawork, particularly in its depiction of the chaotic aftermath of the building collapse and the tense city council debates, create an atmosphere of urgency and moral outrage.
Roger Ebert described the film as “a searing indictment of the exploitation of power,” while others have highlighted its continued relevance in addressing urban and political issues. The Guardian referred to it as “a masterclass in political cinema,” noting its blend of gripping narrative and pointed social commentary.
Legacy
Hands Over the City is considered one of Francesco Rosi’s greatest works, exemplifying his dedication to cinéma vérité and his commitment to exposing social injustices. The film’s unflinching critique of urban development and political corruption resonates far beyond its original context, serving as a timeless reminder of the need for accountability and transparency in governance.
